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Writing
STOLEN over a six-year
period also coincided with a personal journey
to connect more with her Aboriginal heritage.
She is a descendant of the Muruwari people of
NSW.
STOLEN
centres on five children, who were removed - from
their families, and all they knew and loved -
and then institutionalised. STOLEN
premiered at Playbox Theatre, Melbourne in 1998,
and has productions every year since - in Melbourne
and country Victoria, Sydney, Adelaide, and Tasmania,
the UK (twice), Hong Kong and Tokyo, along with
readings in Canada and New York (in 2004). Jane
was the co-winner, with Dallas Winmar, of the
Kate Challis RAKA Award 2002. STOLEN
has been on the VCE English list since 2002.
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Her
most recent play, RAINBOW'S
END, set in the 1950s around three generations
of an Aboriginal family living on the riverbanks,
had a season in early 2005. Her script for a musical
theatre adaptation of WALKABOUT
will also be produced in 2005, by Chamber Made.
She contributed one chapter to MANY
VOICES, REFLECTIONS ON EXPERIENCES OF INDIGENOUS
CHILD SEPARATION, a book that evolved out
of the BRINGING THEM HOME
ORAL HISTORY PROJECT, published by the
National Library, Canberra in 2002. Another project
- still in draft form - is a teenage fiction novel,
FINDING KIRRALI JONES,
about a young Koori girl seeking answers regarding
her identity, and discovering those answers aren't
what she expected.
As
well as writing, Jane teaches Cultural Studies
to Indigenous Performing Arts students at Swinburne
University. She is (quietly) passionate about
the education of young people. 'With knowledge
comes understanding, with understanding comes
empathy, and these are the stepping stones in
the healing process'. She lives in Melbourne with
her two (gorgeous) daughters.
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"...what
is impressive is the form, a restless, time-transcending
mosaic dazzingly realised in Wesley enoch's production...these
are true stories vividly told..."
Michael Billington, The Guardian
"Stolen
is both a courageous and compelling choice as a VCE
text. The pity is that it isn't compulsory viewing for
the rest of the population."
Merilyn Howorth, The Age, March 6, 2002
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